By Chill Kechil
Chill Kechil is a Les Paul Ambassador, helping to educate musicians and others about the risks of noise-induced hearing loss and tinnitus. The New Jersey-based DJ and composer recently released two versions of a song, “Fly,” featuring vocals by Shakila Azhar, in addition to two holiday songs. He is donating a portion of their sales to Hearing Health Foundation.
As a person with hearing loss, he has made adjustments in order to compose and perform. Here, he talks about the genesis for the songs and what he likes in music.
My latest collaboration is with Shakila Azhar. She is a singer who lives in Singapore, and she happens to be my wife’s cousin. She flies in airplanes for a living and sings at her company’s events. My wife told me Shakila has a killer voice, so when I finally met her we talked about doing a song together.
Through this song I wanted to capture the spirit of flying, along with her soulful vocals. We recorded “Fly” over a few hours, when she had a stopover in New York City, but I’ll admit it took me almost a year to finish the production. I hadn’t worked with live vocals before, and I wanted it to be perfect so I really took my time about getting it right. I was also using a new version of my music production software. Shakila’s improvised vocals and lyrics added real soul to the song.
There are two versions available, a dance version, and a deep house version. I realize now that there could be a connection between my high frequency hearing loss, making it hard to hear higher pitches, and my love for deep house music, which has heavy kick drum beats and a deep bass line. Actually it’s funny, but the idea for the bass line in the deep house version of “Fly” came about while I was doing a holiday song based on Tchaikovsky’s “Dance of the Sugar Plum Fairy” from “The Nutcracker.”
But it’s not just the deep sounds that I like in my music. The tune should be very melodic. I like women’s vocals floating over the top, and instead of typical three note chords, I like to use four or five notes in each chord like in jazz music (another of my favorite genres). House music combines all of these things—deep sounds, melodic vocals, and rich chords. The software just changes the entire production of a song, letting me visualize the notes and chords while composing. It brings hundreds of instruments to my fingertips.
When it comes to curating songs for internet radio stations or creating a DJ set, most have kind of a danceable beat. My preferences are really chill, lounge beats and house music that can flow smoothly together from one song to the next. You can say I live up to my Chill Kechil name because most of the songs I produce or play have this chill, danceable beat to them.
Protecting my hearing by covering my ears is always a priority. The headphones I wear for DJing have to isolate the sound from the mixer while also protecting my ears from the ambient sound and noise. This way, I don’t have to turn the volume up as much when I’m mixing a DJ set. The headphones make the bass sound warmer, while reducing the higher frequencies that can hurt the ears and lead to ear fatigue. I always try to be careful by allowing my ears to rest at least a week between DJ gigs, and to check my smartphone’s decibel meter for loudness when catching other DJ or music acts. And, of course it goes without saying... I always have my earplugs handy.
He DJs regularly at Skinny Bar & Lounge on the Lower East Side of Manhattan. Look for him on open turntable nights. Read more about Chill Kechil and his music in Hearing Health's Spring 2015 article here.
Chill Kechil believes in the mission of HHF and its search for a cure for
hearing lossand tinnitus. He is donating a portion of sales of “Fly" and the
holiday songs “Dance of the Sugar Plum Fairy" and “Carol of the Bells” to HHF.
Visit chillkechil.com to listen to samples and purchase.